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Archive for 2007

The Freaks Come Out at Night – TIME

Thursday, September 13th, 2007

Indie Wire

TIME - The crowd rushing in to claim their seats at the Ryerson Theatre are younger, quicker, louder than the typical Toronto International Film Festival audience. More tattoos, too. They’re closer to rock-concert fans than to a biker gang, but they’re ready to rumble. And cheer and stomp their feet for movie masters few other festival goers know about.

When Stuart Gordon, who directed the smartly ghoulish Re-Animator a couple decades ago, steps onstage to present his new film Stuck — a melodrama about a young woman who crashes into a pedestrian, then leaves the injured man lodged halfway through her windshield like a giant hood ornament — the mob goes appreciatively nuts. And when Gordon notes solemnly that “Every seven minutes there is a fatal car crash,” someone applauds.

Just another typical installment of Midnight Madness, the festival’s nightly showcase for pictures with an outrageous agenda and a racing pulse. There are films, and then there are movies; the Madness audience knows the difference and celebrates it. But they’re not slumming. “They’re diehard festival goers,” says Colin Geddes, the section’s programmer. “They’ve been to three or four films that day and this is their last stop. They know they’re going to see a film that will thrill them. But they understand world cinema. After nearly every film the director does a Q&A, and we have some very intelligent questions coming from our audience at two in the morning.” [Full Story]

Related Articles
• TORONTO '07 CRITICS NOTEBOOK | Midnight Madness Mixed, With Duds  - Indie Wire
[View all 2 related]


De Palma film had to be redacted itself – Globe and Mail

Thursday, September 13th, 2007

Montreal Gazette

Globe and Mail, Canada - In an irony not lost on director Brian De Palma, Redacted, his new film about the Iraq war, had to be redacted itself on the advice of lawyers and his Canadian producers, who said some of the haunting images at the end of the movie could have led to his being sued.

De Palma is winning awards and accolades for his hard-hitting film – inspired by the true story of American soldiers who raped a 14-year-old Iraqi girl and then murdered her entire family to cover their tracks. The film, screening at the Toronto International Film Festival this week, ends with a montage of photos of actual corpses of Iraqi civilians, killed as a result of the U.S.-led invasion of the country.

De Palma originally wanted to show the faces of the dead, but lawyers advised the filmmakers that they had to be blacked out.

“The whole point is to show the faces,” De Palma said in an interview. “The government and the media have dehumanized the Iraqi population. What I hoped to show with this film is the horror of the war and what it’s done to the people of that country. The irony is really incredible. It really annoys me that the lawyers can’t see this.” [Full Story]

Related Articles
• De Palma takes a Vietnam lesson and applies it to a new war - PopMatters
[View all 10 related]


Fans in focus at Toronto film festival – Reuters UK

Thursday, September 13th, 2007

Reuters UK, UK - Critics and acquisitions executives might swarm to the Toronto International Film Festival, now heading into its final days, but this is one fest that always has been about the fans.

And Toronto moviegoers don’t shy away from lavishing praise and applause on their favourite films and stars, who, for the most part, are appreciatively receptive.

Simon Pegg fans were well-served at the Monday night screening of Picturehouse’s “Run, Fat Boy, Run“, David Schwimmer’s feature directorial debut about a slacker (Pegg) who decides to run a marathon to win back his jilted fiancee (Thandie Newton).

At the postscreening Q&A with Schwimmer, Pegg, Newton and the producers, an audience member asked whether Pegg was ever in a marathon. “Pffft, don’t be ridiculous,” Pegg sneered comically. Then he turned serious. “I was talking to a journalist earlier about the New York marathon, and I think I should try it.” [Full Story]


TORONTO ‘07 | Gael x 3; Gillespie x 2 – indieWIRE

Wednesday, September 12th, 2007

indieWIRE - ”I wanted to do it eventually and this came up,” Gael Garcia Bernal told indieWIRE about his first foray into directing, “Deficit,” which is having its North American debut here in Toronto. “You need to find a unified reason why the film needs to exist and find the frontier of what you want to tell.” Bernal, also in Toronto as the star of Hector Babenco’s “The Past” and as executive producer of Israel Cardenas and Laura Amelia Guzman’s “Cochochi,” sat down alongside “Deficit” screenwriter Kyzza Terrazas to discuss their experience. “Gael had this anecdote about this rich kid that had a party at his country house with some of his friends,” said Terrazas. “His girlfriend was supposed to come, but he meets another girl that he likes. He starts giving his girlfriend wrong directions as to how to get to the house. That was the skeleton that Gael had in mind, and he invited me to collaborate in the screenplay. What I tried to do was bring that world life.” [Full Story]


Many departing Toronto film festival – Variety

Wednesday, September 12th, 2007

Variety - The front-loaded Toronto Film Festival slowed to a crawl Wednesday, as duties Stateside, the Rosh Hashanah holiday and the start of the Muslim fasting month of Ramadan had a sizable swath of attendees heading for the airport.

One anticipated deal, for Vadim Perelman’s “In Bloom,” finally closed. North American rights to the drama went to Magnolia, sister company of the pic’s producer, 2929 Prods., marking the first time the two have teamed. Because the pact involved two separate business units operated by Todd Wagner and Mark Cuban, digging out details wasn’t easy.

But it was clear that domestic reps CAA and Cinetic faced some skepticism in the market about the pic, which preemed Saturday. “In Bloom,” starring Uma Thurman and Evan Rachel Wood, centers around the lingering effects of a school shooting in a Connecticut suburb [Full Story]


Self-deprecating Allen says he's lazy and not a 'dedicated filmmaker' – The Canadian Press

Wednesday, September 12th, 2007

CBC Toronto

The Canadian Press, TORONTO - Woody Allen is widely regarded as a cinematic legend, but the famously self-deprecating director insisted Wednesday that he’s not a “dedicated filmmaker” and that his movies take a back seat to his clarinet playing, his family and his passion for basketball and baseball.

“I want to shoot and go home and get on with my life,” Allen told journalists at the Toronto International Film Festival while promoting his latest effort, “Cassandra’s Dream.”

The film stars Ewan McGregor and Colin Farrell as two working-class brothers whose lives begin to unravel after their wealthy uncle (played by Tom Wilkinson) asks them to commit murder.

The two heartthrobs were also on hand Wednesday to discuss the movie, but Allen was clearly the centre of attention, brushing off questions about his notoriously quick shoots by saying he’s simply a lazy guy and that filmmaking is not the “end-all be-all” of his life [Full Story]

Related Articles
• 'Lazy' Woody Allen says he doesn't brood over filmmaking - CBC Manitoba
• Ewan McGregor, ever versatile, stars in Woody Allen's latest  - The Canadian Press
• McGregor, Farrell a Dream team - Winnipeg Sun
[View all 34 related]


No blockbuster sales at this year's Toronto film festival – The Canadian Press

Wednesday, September 12th, 2007

Jam! Showbiz

The Canadian Press, TORONTO - Despite all the hullabaloo about Reese and Jake and that paparazzi hybrid they call Brangelina, the Toronto International Film Festival is much more than a celebrity hotspot – it’s also where Hollywood distributors score movie acquisitions.

But this year, finding that blockbuster film has proven harder than many expected. Hollywood distributors have picked up the rights to several smaller films but haven’t brought out the big guns in the bidding wars that Toronto has become known for in the past.

The festival was the selling grounds in recent years for movies like “Crash” and “Thank You for Smoking,” both of which went on to score considerable box-office receipts and several Oscar nominations.

Lionsgate snapped up “Crash” for an estimated US$3.3 million in 2004. The film grossed more than $50 million and won the Oscar for best picture [Full Story]

Related Articles
• Oscar winner Ellen Burstyn celebrates past and present at Toronto  - The Canadian Press
[View all 11 related]


Vedder rocks fans, not Donahue – Reuters Blogs

Wednesday, September 12th, 2007

Reuters Blogs - Thunder and lightning, a fierce wind, and cold rain did not deter those who wanted to see talk-show veteran Phil Donahue’s anti-war documentary “Body of War” about Tomas Young, a U.S. soldier who was shot and paralyzed within his first week of duty in Iraq.

It probably helped that Eddie Vedder, front man for rock band Pearl Jam, was on hand to perform two original songs he wrote for the film.

More than 50 people waited in the rush line at last night’s world premiere of “Body of War”. The first person in that line waited five hours for the 9 p.m. screening. A few people wore Pearl Jam t-shirts, and the first four rows were filled with camera-toting fans buzzing about Vedder and chanting “Eddie, Eddie” before the screening. One paid C$55 for a scalper’s ticket, nearly three times the regular box office price [Full Story]


Five Minutes From Adam Mason’s THE DEVIL’S CHAIR Online! – Twitch

Wednesday, September 12th, 2007

Twitch - The Devil’s Chair – the latest film from UK horror director Adam Mason – takes it’s first public bow at the Toronto International Film Festival mighty soon and to celebrate Mason has recently posted a five minute clip from the film on his official blog over at Bloody Disgusting. Turn up the volume and prepare to squirm [Full Story]


TORONTO ‘07 DISCOVERY INTERVIEW: Paprika Steen: “I believe all desperate actions come from the loneliness inside you.” – indieWIRE

Wednesday, September 12th, 2007

indieWIRE - Fourteen filmmakers were given the opportunity to participate in an e-mail interview, and each was sent the same questions. Director Paprika Steen is at Toronto with her feature film, “With Your Permission,” which is about a opera-obsessed hero who works as a cafeteria manager on a Copenhagen ferry. TIFF describes the film as pushing “every button it gets near” and “propelled by its characters’ complete inability to face obvious truths and by our extreme discomfort.” [Full Story]

 
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