From today's Globe and Mail: Film fest's focus on Israel 'propaganda,' artists say
http://www.theglobeandmail.com/news/national/film-fests-focus-on-israel-propaganda-artists-say/article1274104/
More than 50 prominent filmmakers, writers, artists and academics - including Ken Loach, David Byrne, Naomi Klein, Alice Walker, Jane Fonda, Wallace Shawn and Danny Glover - have signed a letter protesting against the Toronto International Film Festival's decision to spotlight the city of Tel Aviv and the work of 10 Israeli filmmakers.
The letter is to be published online today, with a call for more signatories. "As members of the Canadian and international film, culture and media arts communities, we are deeply disturbed by [TIFF's] decision to host a celebratory spotlight on Tel Aviv," the letter begins. "We protest that TIFF, whether intentionally or not, has become complicit in the Israeli propaganda machine."
When the Melbourne Film Festival faced a similar campaign, the festival head wrote this piece in the Guardian: Censorship has no place in film
http://www.guardian.co.uk/commentisfree/libertycentral/2009/aug/27/ken-loach-film-festival
We were told that unless we rejected Israeli funding Loach would withdraw his latest film, Looking For Eric, already confirmed and printed in the official guide. This isn't the first time that Loach has pulled this stunt. Earlier this year the Edinburgh Film Festival buckled after complaints from Loach that Israel had provided £300 to fly director Tali Shalom-Ezer to the screening of her film Surrogate. The funding was withdrawn. This was a repeat of a shameful 2006 episode when Edinburgh returned a travel bursary funding flights for another Israeli director, Yoav Shamir.
This curse must not be allowed to spread to other film festivals. Politics will always walk hand in hand with film, and with film festivals, but at the core of every festival, from Melbourne to Montreal, is the independence and integrity of the programme: it is a festival's primary asset and part of an inviolate bond of trust between a festival and its audience. To allow the personal politics of one filmmaker to proscribe a festival position would not only open a veritable floodgate, but also goes against the grain of what festivals stand for.